By Charles Cahier
Relying on historic wall and ground tiles, cloth styles, tapestries, wall hangings, and different designs originating within the center a long time, the Renaissance, and later eu and Islamic cultures, Charles Cahier (1807–1882) and Arthur Martin (1802–1856) produced a piece of actual creative contrast. incorporated are a wealth of ultimate floral, animal, poultry, and geometric styles, rigorously researched and meticulously redrawn to be used in a myriad of picture and creative tasks. a few of the motifs are followed via complementary border designs, a frequently crucial accent.
This variation faithfully reproduces the version released in 1868, titled Suite aux mélanges d'archéologie. It represents a useful copyright-free source embodying the best designs from old assets, prepared to be used by way of artists, illustrators, craftspeople, and architects operating with textiles, wallpapers, inside ornament, and different projects.
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Extra resources for 376 decorative allover patterns : from historic tilework and textiles
Copyright © 1989 by Dover Publications, Inc. All rights reserved under Pan American and International Copyright Conventions. , in 1989, contains all the plates from Suite aux mélanges d’archéologie ... , originally published in two portfolios by A. Morel, Paris, 1868. For details, see the Publisher’s Note (based partially on the original French “Préface”), specially written for the present edition. DOVER Pictorial Archive SERIES This book belongs to the Dover Pictorial Archive Series. You may use the designs and illustrations for graphics and crafts applications, free and without special permission, provided that you include no more than ten in the same publication or project.
P. verso. 9780486155494 1. Repetitive patterns (Decorative arts) 2. Tiles, Medieval. 3. Tiles, Renaissance. 4. Textile fabrics, Medieval. 5. Textile fabrics, Renaissance. I. Martin, Arthur, 1801—1856. II. Title. III. Title: Three hundred seventy-six decorative allover patterns from historic tilework and textiles. IV. Series. 4’42—dc20 89-36970 CIP Table of Contents Title Page Copyright Page Publisher’s Note Publisher’s Note THE QUALITY OF DESIGN in crafted and manufactured products of all types-and in the packaging and advertising of those products—was a primary concern of the great industrial nations in the nineteenth century.
Title. III. Title: Three hundred seventy-six decorative allover patterns from historic tilework and textiles. IV. Series. 4’42—dc20 89-36970 CIP Table of Contents Title Page Copyright Page Publisher’s Note Publisher’s Note THE QUALITY OF DESIGN in crafted and manufactured products of all types-and in the packaging and advertising of those products—was a primary concern of the great industrial nations in the nineteenth century. Rivalry between France and England for design leadership in Europe was increased by each of the great world’s fairs held periodically in London and Paris, beginning with the Crystal Palace Exhibition of 1851.