By Sara Maitland
Maitland, British novelist (Three instances desk, Daughter of Jerusalem, Ancestral Truths, etc.) and Christian feminist (A Map of the hot Country), has the following produced a superbly written booklet that's half paean to God and half explication of religion. regardless of its subtitle, it's also a considering person's seek, not only a feminist's. supplying within the obvious acts of divine production buttresses for the novel act of human religion, Maitland's is a God who struggles to make Herself identified to and enjoyed via production. "Joy is the sport, the taking part in, among God and God's creation," Maitland writes; and the results of her chronicling of that video game is, because the subtitle extra safely stories, a pleased theology that, just like the God it celebrates, appears on production and unearths it first-class. instructed for all who search to complement their non secular trips or just to extend their theological sensibilities.
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Additional info for A Big-Enough God: A Feminist's Search For A Joyful Theology
In To Be Two, this silence is revealed to be, according to Irigaray, the basis for love. She states that ‘to love each other between us, woman and man, women and men, requires the protection of a space, a place of silence’ (To Be Two, p. 62). If this space is not maintained, as is demonstrated in White’s texts, what results is not love but madness. As White’s fiction and diaries attest, the fear of losing her identity existed in almost every relationship into which she entered. In order to understand her attempts to construct her subjectivity and cultivate her interiority, it is important to note the way in which White’s identity was formed in relation to other subjects in her texts.
You may as well give in. ’ (Beyond the Glass, p. 127; italics in original) Richard injects himself into Clara’s mind without her consent, although she takes up his game of telepathy readily enough. They never make plans to meet. Instead, he wills her to the correct destination at the appropriate time (op. , p. 142). ] He was like a ghost; moving imperceptibly and intangible in his own dimension. It would be impossible to imagine Clive deliberately impinging on her mind as the unknown man had done.
See also I Love to You, To Be Two and The Way of Love. 3 Irigaray commented on this in her seminar at the University of Nottingham, May 2005, and also in her latest books. 4 I developed my position on silence within a culture of two subjects during a conversation with Luce Irigaray and other participants in the seminar with Luce Irigaray, University of Nottingham, May 2005. 5 ‘Clara IV’ and ‘Julian Tye’ appear in a collection of White’s writings entitled As Once in May: The Early Autobiography of Antonia White and Other Writings.