By J. J. Marshall
After results has been proven because the world's strongest and least expensive answer for movement pix execs. the applying has revolutionized the published undefined. facts of the revolution was once transparent whilst the mid-1990s printed a blinding array of visible artistry in advert campaigns and tv community promotions, the standard and the volume of which had by no means been seen.Version 5.0 was once a massive improve (3D, expressions, parenting, to call a couple of) and model 5.5 might hardly ever be thought of a dot liberate. really extra special software program, this construct of After results boasts numerous new positive aspects in addition to enormous improvements to its consumer interface. there are various new filters for concretizing any visible results that the brain can envision. also, After results 5.5 contains superior 3D-compositing features, better command over expressions with the Expression Controls results, in addition to local aid for OSX, between a number of different improvements.The After results Bible seems to be into each element of the applying. even if you are thoroughly new to movement images, or an skilled hand trying to find how you can get the main out of the hot improve, there's priceless, time-saving info to be present in each one bankruptcy. There are step routines for every little thing from developing advanced keyframe animations to animating cameras in 3D house. no matter if it really is learn from front-to-back or used as a computer reference, the After results Bible belongs within the movement image designer's library.
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Extra info for After Effects 5 Bible
F 4/3/02 12:24 PM Page xxxiii Contents Working with Standard Definition (SD) video . . . SDI — Serial Digital Interconnect . . . . . . Understanding HD (High Definition) video . . . Troubleshooting Field Issues . . . . . . . . . Determining the field order of outgoing footage . . Minimizing flicker with After Effects . . . . . Understanding the 3:2 Pulldown . . . . . . Mixing and Matching Frame Sizes and Pixel Aspect Ratios Understanding pixel aspect ratio settings .
NTSC versus PAL and SECAM Video Understanding the DV format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . F 4/3/02 12:24 PM Page xxxiii Contents Working with Standard Definition (SD) video . . . SDI — Serial Digital Interconnect . . . . . . Understanding HD (High Definition) video . . . Troubleshooting Field Issues . . . . . . . . . Determining the field order of outgoing footage .
Using the Color Difference Key (PB only) . . Using the Color Key . . . . . . . . Using the Color Range Key (PB only) . . . Using the Difference Matte effect (PB only) . . Using the Extract effect (PB only) . . . . Using the Inner Outer effect (PB only) . . . Using the Linear Color Key effect (PB only) . Using the Luma Key effect . . . . . . Using the Spill Suppressor effect (PB only) . . Working with the Matte Tools effects (PB only) . . . . . . . . . .