Amazigh Arts in Morocco: Women Shaping Berber Identity by Cynthia Becker PDF

By Cynthia Becker

This booklet offers the function of ladies in Berber tradition. It is going into nice intensity about the symbolism present in the humanities of Berber girls. in case you first glimpsed this global in Imazighen, the Vanishing Traditions of Berber ladies, via Margaret Courtney-Clarke, the current paintings presents a learn in nice aspect.

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However, both parents recognize that financial security in their old age depends on their male children, who are expected to provide for their parents later in life. A son brings his wife into his parent’s household, giving a mother-in-law a position of power and authority and allowing her to live out her old age in security and prestige, with her daughter-in-law and her grandchildren taking care of her. A daughter, in contrast, is expected to marry and leave the household. The beaded necklaces that mothers construct for their sons include shells, beads, and other pendants strung on a heavy cord and hung over the child’s shoulder so that it drapes across his chest (Fig.

18. Ait Khabbash women from the 1930s from the Ziz Valley near Errachidia. Photo by Jean Besancenot, 1934–1939. Image courtesy of the Institut du Monde Arabe, Paris. broidered on the taγnast, the tazra n Ismkhan, meaning ‘‘slave’s necklace,’’ consists of a series of four or five diamond patterns of different colors, with red, green, yellow, and black predominating. Ait Khabbash women told me that the motif resembled the large glass and plastic beaded necklaces once worn by enslaved women, reinforcing my earlier statement that the names given to particular motifs vary from generation to generation, depending on historical circumstances.

To create the more loosely twisted weft threads, they use short-toothed brushes and large leg-twirled spindles called izdi. They may or may not dye the weft 22 amazigh art s in moro c c o threads, depending on the textile being created. The weavers I spoke with did not have any knowledge of natural dyes, although only mineral and vegetal dyes were once used. Instead, they told me, they have been using chemical dyes ever since they became available in the nineteenth century. After the wool is spun and dyed, three or four women work together to mount the warp threads onto the loom, providing a chance to gather together and socialize.

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