Download PDF by Adam Phillips: Animate to Harmony: the independent animator's guide to Toon

By Adam Phillips

Want to create studio-quality paintings and get spotted? simply coming off Flash and searching out a Toon growth intro? Are you a conventional pencil-and-paper animator? From scene setup to the ultimate render, easy methods to navigate the Toon growth interface to create animation that may be released on various systems and formats.

Animate to Harmony publications you thru Toon Boom’s Animate, Animate seasoned and concord courses, instructing you ways to create fine quality second animation of all complexities. the most textual content focuses onfeatures which are universal throughout all 3 courses whereas "Advanced concepts" containers during the booklet complicated on professional and concord good points, attractive to all degrees of expertise with any of the 3 major Toon growth products.

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Extra info for Animate to Harmony: the independent animator's guide to Toon Boom

Sample text

These shapes aren’t available on texture brushes. 30 > 1. In the Timeline, select frame 1. > 2. In the Brush Properties panel, choose an angled Brush shape. > 3. Type in a minimum Brush size of 80 and a maximum of 80. > 4. In the Camera View, draw a flowing length of ribbon. > 5. Experiment with other angles, sizes and Brush shapes for different effects. It’s built like a strand of electrical wire: a central core with a coating of colour. The first two exercises will cover the basic version then we’ll see what’s so great about its new features.

The Import Images window appears, giving you options to create new layers or add the imported images to existing layers. If you’re importing complex images with lots of colours and detail, or you’re just importing sketches as reference images, you should turn vectorising off! You can learn more about scanning, importing and when to vectorise in Appendix B, page 436. This is extremely useful for scenes with multilayered backgrounds through which the characters can move. Notjustforthe drawing tools, but also the colour, paint, effects filters and the built-in scanning interface.

12. In the Camera View, draw a circle or square. You will certainly find this to be a huge time-saver when you’re drawing frame after frame of character animation. This means it can have variable width, just like the Brush tool, yet all the CPU-friendly economy of a central vector line. > 1. Select the Pencil [Alt /] and in the Tool Properties panel choose ‘Pencil 1’ from the styles list. > 2. 37. 37 > 3. In the Timeline, select frame 1. > 4. Just like the Brush, the Pencil lines are variable depending on the tablet pressure you use.

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