Download e-book for iPad: Beckett's Dantes: Intertextuality in the Fiction and by Daniela Caselli

By Daniela Caselli

This ebook is the 1st examine in English at the literary dating among Beckett and Dante. it truly is an leading edge examining of Samuel Beckett and Dante's works and a severe engagement with modern theories of intertextuality.

The quantity translates Dante within the unique Italian (as apparently in Beckett), translating into English all Italian quotations. It merits from a multilingual method in accordance with Beckett's released works in English and French, and on manuscripts (which use English, French, German and Italian).

The booklet is geared toward the scholarly groups drawn to literatures in English, literary and important concept, comparative literature and thought, French literature and thought and Italian stories. Its jargon-free type also will allure third-year or complex undergraduate scholars, and postgraduate scholars, in addition to these readers drawn to the weird dating among one of many maximum writers of the 20 th century and the medieval writer who stands for the very concept of the Western canon.

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Additional resources for Beckett's Dantes: Intertextuality in the Fiction and Criticism

Example text

Experts, despite their professed aloofness (their invisibility, objectivity, and neutrality), were by their very construction vulnerable because dependent on the worth granted their knowledges. The vitality Women, Modernism, and the Cult of Experts 23 of the expert classes was contingent on their knowledges being judged both relevant and generative. This contingency made for a kind of congenital transience that not only disclosed experts’ vulnerability but also made apparent that their knowledge had to be continually updated, renewed, and justified.

44 26 Expert Modernists, Matricide, and Modern Culture Absolutely crucial to women’s changed prospects, as Birken allows, was the fact that sex was naturalized differently in the post-Darwin epoch – with difference being, as I indicated above, no longer absolute and with choice gaining prominence as the fundamental exercise of innate human desire. It remains to recall that women, in order to win admission, were perforce required to distinguish themselves by acceding to new hierarchies of differentiation, if not of absolute difference – such as intelligence or aptitude, for instance – that all too easily, implicitly or explicitly, worked to conceal or naturalize other differentials such as race or class privilege.

What is clear is that Woolf wants a seat for herself and for her female collegiates at the table on which the lavish is standard fare and for this reason: if the imagination is to be fecund, if it is to produce, it must consume fine things. In fact, Woolf’s brand of fecundity is both declared and described throughout the essay, in the drafts of the essay, in the diary entries made about the lectures, which become the basis of the printed text, and, also, in subsequent forays into the subject. 10 Yet even if one were exaggerated and the other understated, Woolf’s preoccupation with the imagination and consumption persists, as her diary account of the second lecture at Girton indicates: I am back from speaking at Girton, in floods of rain.

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