By Charles Alfred Speed Williams
Achieve a deeper appreciation for chinese language paintings and structure via figuring out its symbols. The Yin and Yang, dragon, phoenix, 5 parts, and different symbols are defined of their ancient and cultural context. chinese language Symbolism and artwork Motifs additionally comprises articles on chinese language ideals, customs, arts and crafts, meals, agriculture and drugs. initially released in 1941, this can be the traditional reference book, with over four hundred illustrations to aid make clear and outline this old, complicated culture Read more...
summary: achieve a deeper appreciation for chinese language paintings and structure by means of realizing its symbols. The Yin and Yang, dragon, phoenix, 5 components, and different symbols are defined of their ancient and cultural context. chinese language Symbolism and artwork Motifs additionally contains articles on chinese language ideals, customs, arts and crafts, meals, agriculture and medication. initially released in 1941, this is often the normal reference ebook, with over four hundred illustrations to aid make clear and outline this old, complicated tradition
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Additional resources for Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages
It is usual to see one half of the design blocked in with a colour while the opposing side is either left plain or colored, red and black being a favorite contrast. Another feature of Chinese artistic culture is the use of jade as a material believed to possess supernatural power. In neolithic times, copies of tools and weapons cut in jade were used ritually and are among the most beautiful products of Chinese culture. The bì, or disc of jade, and the bronze tripod, or three-footed vessel, represent the essence of traditional Chinese culture.
11, Luo-hu-luo, Rãhula, the son of Buddha 175 Lohan No. 12, Na-ga-xi-na, Nãgasena 175 Lohan No. 13, Yin-jie-tuo, Angida 176 Lohan No. 14, Fa-na-po-su, Vanavãsa 176 Lohan No. 15, A-shi-duo, Asita or Ajita 176 Lohan No. 16, Zhu-cha-ban-tuo-ga, Chota-Panthaka or Pantha the Younger 176 Lohan No. 17, A-ci-da, Ajita 117 Lohan No. 18, Ba-luo-tuo-she 177 The white elephant with the sacred almsbowl of Buddha on its back 178 Examples of Chinese fans 185 Examples of Chinese lanterns 189 Paper charm known as the five poisons 196 Ancient imperial standard 198 Fly-whisk or chauri 201 Tracings from “Buddha-foot stones” 202 Mólî Qïng, Guardian of the East 203 Mólî Hâi, Guardian of the West 203 Mólî Hóng, Guardian of South 203 Mólî Shòu, Guardian of the North 203 Fú Yì inventing the Eight Diagrams 210 Zhù Róng, the God of Fire 213 God of Literature 214 God of Longevity 214 God of the Kitchen 216 Guān Dì reading the ancient classics 216 The two Gods of Wealth, Civil and Military 217 The money-tree 220 The wild goose as harbinger of good news 221 “A Hundred Colts” 228 The eight famous horses of Mù Wáng 229 Hundred antiques 230 Kuan Yin as protector of children 243 Lama priest attired for worship 246 Insignia and weapons of the Lama gods 247 Lama devil dancers’ masks used in the religious ceremonies celebrated on the 8th of the first moon 248 The philosopher Laocius 249 Lion 251 Lotus flowers 254 Manjusri 261 Wedding procession at Peiping 264 Ancient anatomical chart 267 The philosopher Mencius 270 Mirror of the Táng period 271 Stone and metal instruments 278 Stringed instruments 279 Bamboo and wooden instruments 281 Skin instruments 282 Gourds: Reed organ 283 Clay instruments: Ocarina 283 Nézhā 285 The spring ox and driver 294 A typical Chinese pagoda 296 Landscape in the style of Wáng Wéi 299 Landscape after Xià Guï 301 Pán Gû chiselling out the universe 304 The God of Longevity issuing from a peach 306 Golden pheasant 312 Phoenix 313 Taoist philosopher who has discovered the sacred fungus of immortality 318 Pû Xián mounted on a white elephant 323 The Taoist Queen of Heaven with her two attendants 325 Sceptre and head 330 Scrolls 332 Examples of Chinese seals 333 Seal of the first emperor of the Qín Dynasty 334 Dream of Buddha’s mother of his incarnation 339 The new-born Buddha washed by the nine dragons 339 Buddha, Mahayanistic type 339 Death of Buddha 339 Buddhist monks with rosaries 340 Pawnshop sign 343 The Emperor Shùn 344 The three star gods of happiness, affluence and longevity, with auspicious emblems 352 Mirror of the Táng period 354 Dôu Mû, the mother of the bushel, accompanied by two attendants, Yòu Bì and Zuô Fû 355 The meeting of the Cow-herd and the Spinning-maid on the borders of the Milky Way 356 The Poet Sü Dōngpō 361 Sauvastika with crampons to the left 364 Swastika, or svastika, with crampons to the right 364 Types of swords 366 The tàijí or Ultimate Principle of all things 364 Bodhidharma, the Blue-eyed Brahmin 368 The Three Pure Ones of the Taoist Trinity 372 The Pearly Emperor Yù Huáng seated in his court of justice 373 God of Thunder 375 Tiān Mû, the Goddess of Lightning 375 Léi Gōng, the God of Thunder, assisted by Tiān Mû, the Goddess of Lightning 376 The meeting of the dragon and the tiger, the two great forces of the universe 377 Liú Hâi, the Immortal, sporting with the three-legged toad 380 Twelve ornaments 386 Charm depicting the yïn and yáng, the Eight Diagrams, and the symbolic animals or Twelve Terrestrial Branches 388 Unicorn 391 Mâra the tempter, arch fiend of the Buddhists 394 The Lord of the Rain 396 The spirit of the Yellow River 397 The sacred wheel of Buddhism 399 The Lama Wheel of Life 401 A plate of willow ware 404 Five-fold (cinta) mani, or wish-granting gem 413 The evolution of Chinese writing from ancient to modern form 416 Inscribed bone fragments of great antiquity unearthed in Honan 418 Facsimile of inscription on ancient stone drums in a Confucian temple at Peking 418 The six scripts or categories of written symbols (ancient and modern style) 420 The six forms of writing 422 Xï Wáng Mû mounted on the crane 424 The souls of the dead arraigned before Yama, the God of Hell, and placed before the mirror, which shows the forms under which they will be reincarnated 427 Tortures of the Buddhist Hell 428, 430-1 Emperor Yáo 432 Flags of China, 1931 (in colours) inside back cover Introduction to the New Edition The surge of American interest in Chinese culture following the visit of President Nixon to China in 1972 has highlighted the healthy trend of recent years to look at China in a realistic way.
Dr. Daisetz Suzuki (1870–1966), prophet of Zen to the West, has written much on the Chinese masters and their Japanese successors. The ancient philosophical basis of Chinese lore and art symbolism is that the world and the heavens have polarity, namely a positive or male yáng and a negative or female yïn. This principle is one suggesting counterbalancing parts, one side giving energy to the other. When yáng and yïn work in society, the outcome is egalitarian and democratic, while in art the work is dynamic and creative.