By Malcolm Morrison
This e-book offers transparent tips to stable pronunciation and is written in an easily-accessible shape. many folks can establish and remedy their speech difficulties and considerably enhance their voice by utilizing attempted and verified routines. The systematic association of the cloth with transparent illustrations makes it effortless for the layman to appreciate and paintings from successfully. This re-creation includes extra routines in addition to an extended bankruptcy on vague Speech.
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Additional resources for Clear Speech: Practical Speech Correction and Voice Improvement
Take a breath on the ribs and diaphragm. Count as high as you can, using the breath from the diaphragm. Then begin at 1 again and use the breath from the ribs to count as high as you can. Do not attempt more than you can comfortably achieve. 23 Faulty Breathing EXERCISES FOR POWER The object of these exercises is to develop the strength of the muscles to develop volume of voice. 1. Place the hands on the lower ribs, press firmly and breathe in against the resistance of the hands to a count of three.
15. Take a breath in on the ribs and the diaphragm and speak using the breath as shown: From the diaphragm: A B C From the ribs: D E F G H I J K L M Breathe in again on the ribs and diaphragm. From the diaphragm: N O P Q R S T U V W From the ribs: X Y Z 16. Repeat exercise 15 but speak quite loudly on A B C and X Y Z. The longer phrases should be spoken quietly. 17. Take a breath in on the ribs and the diaphragm and then speak using the breath as shown: From the diaphragm: A B C D E F G H I J K L M From the ribs: N O P Q R S T U V W X Y Z 18.
MOO MOO MOH MOH MAW MAW MAH MAH MAY MAY MEE 10. Intone the following on one continuous note: EE ... OO ... M. 11. Repeat 10 at various pitches. 12. Intone MOO MOH MAW MAH MAY MEE with the hands cupped round the mouth for M and opening them for the vowel. There should be a sensation that the voice is released. 13. Cup the hands over the ears and say 'Good morning'. There should be a sensation that the voice is outside of the head. Do this at various pitches. 14. Repeat the following sounds several times, keeping the voice on the mask of the face: N M NG 15.