Creating Life: The Aesthetic Utopia of Russian Modernism by Irina Paperno, Joan Grossman PDF

By Irina Paperno, Joan Grossman

This booklet analyzes the modernist aesthetic utopia, advancing arguments about the historic evolution of the Russian literary and cultural culture: that modernism, ostensibly reacting opposed to positivism and realism, assimilated the various basic ideas of its archenemy; and that there's a vital continuity among turn-of-the-century modernist aesthetics and Soviet tradition of the 1920’s and 1930’s.

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I made the horrible blunder of picking out what Dreiser evidently considers his best work technically as the illustration of a fault. I brought the house down, but I had the good sense to immediately acknowledge myself beaten, although I am still quite certain that I am right. As we neared the end of our stay I managed to worm my way shyly into conversation with Dreiser; but not until I had suffered the painful humiliation of finding myself addressing the air. As he talked I made a very gratifying discovery; you and I could give him kindergarten lessons in convolutions.

When his father took a job in the New York City area, Burke moved with his family in 1915 to an apartment on Boulevard East in Weehawken, New Jersey, just across the Hudson River from 42nd Street and near the mouth of the Lincoln Tunnel that was then under construction. Burke quickly became intimate with the literary 10 Copyrighted Material Introduction Photographs from the 1914 and 1915 Peabody High School yearbooks. Clockwise from upper left: Malcolm Cowley, Susan Jenkins, James Light, and Kenneth Burke.

It was neither enthused over; nor was it condemned. Dreiser; who is a great admirer of Masters, said it was the usual waves that one could expect to follow in his wake. But please don't think I am exulting over you. I was very pleased to find myself up in arms to defend you. 26 Copyrighted Material Overview I am honestly sorry the poem did not make a stronger impression. As I was still being consistently ignored by Dreiser when the poem came up, I did not venture a long harangue in your favo~ but we must take the will forthe deed.

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