Get Creating Motion Graphics with After Effects: Essential and PDF

By Chris Meyer

Книга construction movement pictures with After results. 4th version with CS3 production movement photographs with After results. 4th variation with CS3Книги Adobe Photoshop Автор: Trish Год издания: 2008 Формат: pdf Издат.:Focal Press Страниц: 705 Размер: 23 Язык: Русский0 (голосов: zero) Оценка:4-е издание известного учебника по After results, теперь уже CS3, от Крис и Триш Мейер. Очень фундаментальный, пожалуй, самый подробный, который я когда-либо видел. Но именно учебник. DVD скачал на днях, могу выложить, если будут желающие

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Extra resources for Creating Motion Graphics with After Effects: Essential and Advanced Techniques

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The Timeline panel allows you to decide what portion of time it is displaying. This becomes more important when we start animating in future chapters: You may need to zoom in to look at the detail of a set of rapid-fire keyframes, or zoom out and get an overview of how a project flows. There are a couple of graphical ways to zoom around this panel. One is click on the “mountain” buttons at the bottom of the Timeline panel to zoom in or out. As you drag the pointer between them, the degree of zoom updates in real time, centering the visible portion of time on the current time represented by the time indicator.

This is particularly handy when working with nested comps. The Always Preview This View button determines which comp renders when you RAM Preview (covered later in this chapter). 21 2 // Creating a Composition Navigating in Space Magnification can be set in the Comp panel popup, with various shortcuts, or with the Zoom tool. The default is to use the “Fit up to 100%” option; the actual zoom level will be displayed in parentheses. It is important to know that you’re not stuck viewing the Comp panel at 100% Magnification – you can zoom in to get a detailed view or zoom out to see more of the pasteboard area around your comp’s visible stage.

When you’re making a new composition, the Anchor selector will be grayed out. The Advanced tab is also where you set the Motion Blur amount (covered in Chapter 8) and the Nesting Options switches (Chapter 17). We won’t be using any of these options in this chapter, so you can ignore the Advanced tab for now. After Effects provides a number of preset composition frame sizes for some of the most common media formats. Using a preset automatically sets the Pixel Aspect Ratio to match the frame size, which reduces the chance that you’ll forget to set it manually.

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