Download e-book for kindle: Denman Ross and American design theory by Ross, Denman Waldo; Ross, Denman Waldo; Frank, Marie Ann

By Ross, Denman Waldo; Ross, Denman Waldo; Frank, Marie Ann

The lifestyles and regarded one of many founders of twentieth-century American design.

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By the time of Ross’s death in 1935, the Fogg had established itself as the site of a leading program in the fine arts and the MFA had become one of the nation’s top museums. When writing Ross’s obituary, Edward Forbes, George Chase, and Langdon Warner noted the changes that Ross and his generation had brought about and that they themselves had lived through: ‘‘His generation saw the Fine Arts in America emerge from neglect to the respect that they have begun to command, and he had a leading part in 16 : Denman Ross & American Design Theory the movement.

2, from the Second Venice Set (fig. 5), and gave them to the MFA. From London Ross traveled to the Continent and let his eyes absorb all before him, regardless of medium. In Paris he admired a group of drawings by Van Eyck (‘‘I have never seen anything more masterly than Van Eyck. I hope I never shall forget them’’) and then walked over to the Cathedral of Notre Dame (‘‘there is hardly a more beautiful building in the world’’). ’’ The more he saw of the arts, the more excited he became. An entry in his diary during his visit to Venice reveals his ingenuous delight: ‘‘St.

The power of the arts to convey understanding with an immediacy not equaled by other means of learning had occupied many thinkers—Plato provides one of the most incisive critiques in the Republic—and Norton’s recognition of that power stood behind his insistence that the arts deserved a place in the liberal arts curriculum. For a student like Ross, Norton’s argument gave legitimacy to the study of art; the arts provided not simply a pleasurable experience but a means toward human understanding.

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