Directors and the New Musical Drama: British and American by M. Lundskaer-Nielsen PDF

By M. Lundskaer-Nielsen

This can be one of many first books to provide a rigorous research of the big adjustments within the musical theatre through the Eighties and 90s.  furthermore, it specializes in the contribution of famous, severe theatre administrators to the mainstream Musical Theatre and it's the first e-book to provide a twin Anglo-American standpoint in this topic.

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The Sound of Music uses the war as a frame for a spirited love story and a celebration of individual courage and fortitude, and while there are uncomfortable moments as the Nazi invasion grows nearer the threat is never allowed to overwhelm the story. When Cabaret opened a few years later, it was still a sensitive topic but rather than looking back and finding a ray of hope in the devastation of the war, Prince saw Cabaret as a platform from which to address contemporary social prejudice. This active sociopolitical engagement is apparent throughout the development of Cabaret as documented by Prince’s biographers and by composer John Kander and lyricist Fred Ebb in their book Colored Lights.

28 From Cabaret to Sweeney Todd 39 In the original production, this resulted in several striking moments that highlighted the differences between Eva and Peron. Eva’s single-minded climb up the social ranks was conveyed through the simple but effective image of revolving doors admitting and then ejecting a series of increasingly powerful suitors; Peron’s rise to fame was staged metaphorically as a game of musical chairs, which he wins by sheer chance. ” In Prince’s staging, Peron waited sheepishly outside the door while Eva efficiently ended his affair.

Both shows premiered in 1971 (on Broadway and Off Broadway, respectively) and both used well-known icons from the past to emphasize the change of mood in post-Vietnam America. Ostensibly, Follies depicts a reunion of ex-Follies girls, focusing on the unhappy marriages of two of the women, Sally and Phyllis, and their husbands, Buddy and Ben. During the evening it transpires that all four are unfulfilled—Sally has always been in love with her idealized fantasy of Ben, Buddy has a mistress who loves him while he remains in love with Sally, Ben feels cheated by the emptiness of his financial success, and Phyllis’s hollow existence as Ben’s society wife has resulted in a combative and cynical worldview.

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